1/4 Ton M151 Mutt by Francois Verlinden
By Francois Verlinden
This fourteenth installment within the WARMACHINES sequence is the 3rd of the specified mini-files which makes use of the relatively few on hand images to record a useful topic, subsequently the 1/4 ton M151 Mutt. This booklet advantages the reader via supplying exact colour images of the Mutt in box stipulations, from the barracks parking zone, to deplaning from a C-130 Hercules, to present process an engine switch, to serving with the IDF (Israeli safety Forces). Many information are printed within the pictures, together with engine, radios, batteries, hard-top kits, gentle tops, trailers, and extra. This booklet is very worthwhile to scale modelers wishing to enhance the Tamiya and Academy kits, in addition to to army fans.
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Opposite: Saga-ningyo of a dog Wood with gofun and raised lacquer designs Edo period, 18th century Height 14 inches Kyoto National Museum Above: Seated gosho-ningyo with dog Edo period, 19th century Height 13 inches Ayervais Collection Gosho-Ningyo 35 Karakuri Gosho-ningyo with Fox Mask It was a great honor when the minister Tachibana no Michinari asked Kokaji Munechika (938-1014) to create a sword for the young Emperor Ichijo (980-1011). Michinari was acting on behalf of Ichijo who had dreamt that Kokaji had created for him the perfect blade, comparable even to the divine Heavenly Cloud Mass Sword, one of the three imperial symbols.
During the Edo period, there were approximately 250 such lords. As a group, they represented the elite of the military class (buke). Ultimately subject to the whims 44 Ningyo: The Art of the Japanese Doll of the shogun, the daimyo of the Edo period occupied their station not only through the accumulated gains of military conflict and the spoils of war, but also by dint of the pleasure of the shogun who had the authority to confiscate lands and reshuffle the deck. Although much attention has been paid to the rise of the merchant class during the Edo period as a principal economic locomotive, the daimyo, with their patterns of conspicuous consumption dictated by both social and political realities as well as personal tastes and predilections, also influenced both economic and cultural trends.
Its weight suggests that it might be fashioned out of something other than the classic kiri (paulownia) wood typically employed in ningyo construction. Its large head, heavy arms, and full legs give it the quintessential mitsuwari feel described above. The head is tilted slightly upward and is topped by an elaborately painted mizuhiki presentation ribbon. A small lock of hair also tied with a ribbon is present at the nape of his neck. Unlike most goshoningyo, this particular image is not sexed.